Lionlike corbel
My hand, in steatite.
I love how the stone takes on such a liquid shine with only sanding (800 grit), and holds the finest details.
The only drawback is that it’s so soft that an errant fingernail strike can leave a mark.
A-a-and it’s broken. I made the mistake of leaving it within reach of the kids, and one of them (who shall remain nameless) knocked it face down. I guess now I can call it “The Sphinx”! Or, Michael Jackson.
MUCH better. Less wasted-looking, more tender. Still somewhat simian with that brow and nose, but so be it. I’ve put down the tools! On to the next piece.
This is a face sketch that I did at Stonefest this year. Faces are hard! How much weed did this face toke?
Something abstract I made for my sister. Usually while I’m working on a piece, and especially when I’m encased in protective gear (hearing, eyes, body (sometimes)) I’m in my own little cocoon and my thoughts are the loudest thing in the room. Snippets of songs, memories of events good and bad, examining feelings and things that float around my consciousness. Sometimes it’s in a language I speak, othertimes, not so much. With this piece I wanted to convey the feeling that you get when you have a continuous inner monologue but it’s in a language you don’t understand.
Also: nipples.
More progress on Leone
Last week I had so much crap in my studio that I couldn’t even walk the 10 ft from front to back without a breakdance move. After I stumbled into a rasp and got a two inch gash on my left moob, I decided it was high time to clean up. 5 or so hours and twenty pounds of rock chips and dust later, it was clean enough to walk around in.
Now I’m afraid to do any work in there ‘cuz it’s so clean.